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Fourthwall’s Favourites May
Fourthwall’s round-up of what to see in May
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Fourthwall’s Favourites: April
Fourthwall’s round-up of what to see in April
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Fourthwall’s Favourites: March
Fourthwall’s round up of what to see this coming March.
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London’s only Gay Theatre company loses home.
Well respected gay-themed venue, Above The Stag, loses permanent London home.
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Blog: Uncovering The Faction #12
A tear, a wave of a white handkerchief – The Faction’s train pulls out of the station. We stand and salute their magnificent achievement.
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Blog: Uncovering The Faction #11
Gareth finally spills the beans on the place to go after the show, and shares a bit of gossip about the cast.
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Blog: Uncovering The Faction #10
Up and running, there’s time for Gareth to find amusement in the smallest details.
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Blog: Uncovering The Faction #9
All three Faction shows are now up and running and Gareth has a second to take a moment’s pause to contemplate this achievement and to ruminate on Miss Julie.
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Review: Brimstone and Treacle, Arcola Theatre ****
Edward Theakston finds a troubling and poignant play at the Arcola, with a climax that will haunt you long after you leave the theatre.
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Review: Three Kingdoms, Lyric, Hammersmith ****
Catherine Love finds herself almost lost for words at Simon Stephens compelling Three Kingdoms at the Lyric, Hammersmith
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Review: Step 9 (Of 12), Trafalgar Studios, *****
Edward Theakston reviews Step 9 (Of 12) at the Trafalgar Studios, and urges you to see this important work.
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Review: Fever Pitch, Touring ****
JBR is swept along by a Fever Pitch-perfect performance, adapted from Nick Hornby’s best selling novel.
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Be the best
Innovative theatre company Slung Low are rounding up the troops and getting ready to land on Salford for their latest landmark production, writes Francesca Waite.
Slung Low are one of the[readmore]Add a commentInnovative theatre company Slung Low are rounding up the troops and getting ready to land on Salford for their latest landmark production, writes Francesca Waite.Slung Low are one of the most groundbreaking theatre companies in the UK, receiving critical acclaim recently for Last Seen, part of The Almeida Theatre's Summer Festival. For their production, Helium, they were awarded The Oxford Samuel Beckett Theatre Trust Award in 2008, founded to help the development of emerging practitioners in the field of experimental theatre. Their ethos is to allow the particular demands of each story to inform the choice of venue and performance style, meaning their next show is as likely to be caught on an iPod as it is in a city centre car-park.Specialising in new work, they are led by seven artists from diverse creative backgrounds including prose, movement, video, sound and theatre. Their intention is to use all of the technology and resources available to an artist in the 21st Century to achieve the oldest of artistic aims – a good story, well told.Their latest production, Beyond the Front Line, will receive its World Première as part of The Lowry's ground-breaking No Boundaries season from Monday 5th October. Beyond the Front Line is a collaboration between the innovative Slung Low, The Lowry and The University of Salford and has been generously funded by Arts Council England Grants for the Arts.Alan Lane, Artistic Director of Slung Low said of the co-production: “This is a busy, artistically challenging and very exciting time for Slung Low. We are delighted to be working with The Lowry and Salford University on Beyond the Front Line.”Robert Robson, The Lowry's Artistic Director added, “Beyond the Front Line is one of three productions in our No Boundaries season, showcasing new, innovative and exhilarating theatre brought by some of the north's leading talent. We are certain that these productions will be truly memorable, providing the audience with an experience they can't stop talking about. In the run-up to The Lowry's 10th birthday year, these unique projects illustrate our role in presenting imaginative theatre.”Innovative theatre company Slung Low are rounding up the troops and getting ready to land on Salford for their latest landmark production, writes Francesca Waite.
Slung Low are one of the most groundbreaking theatre companies in the UK, receiving critical acclaim recently for Last Seen, part of The Almeida Theatre's Summer Festival. For their production, Helium, they were awarded The Oxford Samuel Beckett Theatre Trust Award in 2008, founded to help the development of emerging practitioners in the field of experimental theatre. Their ethos is to allow the particular demands of each story to inform the choice of venue and performance style, meaning their next show is as likely to be caught on an iPod as it is in a city centre car-park.

Specialising in new work, they are led by seven artists from diverse creative backgrounds including prose, movement, video, sound and theatre. Their intention is to use all of the technology and resources available to an artist in the 21st Century to achieve the oldest of artistic aims – a good story, well told.
Their latest production, Beyond the Front Line, will receive its World Première as part of The Lowry's ground-breaking No Boundaries season from Monday 5th October. Beyond the Front Line is a collaboration between the innovative Slung Low, The Lowry and The University of Salford and has been generously funded by Arts Council England Grants for the Arts.
Alan Lane, Artistic Director of Slung Low said of the co-production: “This is a busy, artistically challenging and very exciting time for Slung Low. We are delighted to be working with The Lowry and Salford University on Beyond the Front Line.”
Robert Robson, The Lowry's Artistic Director added, “Beyond the Front Line is one of three productions in our No Boundaries season, showcasing new, innovative and exhilarating theatre brought by some of the north's leading talent. We are certain that these productions will be truly memorable, providing the audience with an experience they can't stop talking about. In the run-up to The Lowry's 10th birthday year, these unique projects illustrate our role in presenting imaginative theatre.”
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Published on October 4, 2009 · Filed under: Current Issue;










