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Competition launched to find the next Miranda Sings
YouTube phenomenon Miranda Sings returns to the West End next month for a week long season.
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West End Producer to enter the world of publishing
The anonymous satirical online blogger and social network king to release a book about acting.
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Globe and The Space to broadcast Shakespeare’s Henry VI plays live
Aerial cameras will capture the stage, audiences and landscape from above.
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Live stream from Edinburgh in act of political defiance
Belarus Free Theatre have quickly become the must see theatre piece at the Fringe.
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Blog: The Holistic Actor
Your mind, emotions and body are instruments and the way you align and tune them determines how well you play life.
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Blog: Confessions of an actor
On the journey to success, this anonymous jobbing performer will see his fair share of ups and downs.
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Blog: Being Brave
Katie Brennan, with humour and wit, writes about being brave and following your dreams - even when they seem like nightmares.
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Blog: Postcard from the One Man, Two Guvnors tour
We catch up with former First Word writer Rosie Wyatt, somewhere between New Zealand and Australia.
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Review: The Velma Celli Show, The Hippodrome ✭✭✭✭
Velma brings new heights to drag queen artistry in this gem of a show, writes Amy Kirle.
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Edinburgh Reviews: From Where I’m Standing (Underbelly), The Love Project (Underbelly)
A technologically advanced production and then a gorgeous, understated verbatim piece about love.
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Edinburgh Reviews: Trash Cuisine (Pleasance)
Trash Cuisine is the most dangerous, powerful piece at this year’s Edinburgh Fringe.
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Edinburgh Reviews: The Shawshank Redemption (Assembly), Hag (Underbelly)
A show that unfortunately does not live up to the hype, and then a deliciously creepy fairytale.
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Edinburgh Reviews: Title of Show (Assembly), Sincerely, Mr Toad (Pleasance)
A must see for musical theatre fans and then a musical that is bristling with potential and talent.
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Title of Show, Assembly ✭✭✭✭✭
For fans of musical theatre, Title of Show is the show to catch at the 2013 Edinburgh Fringe. One might say that the entire experience of putting on a musical about the writing of the writing of a musical for a festival, during the festival, has created a meta-meta-musical paradox that could cause the destruction of the entire musical genre. An excruciatingly talented quartet, Carley Stenson, Jamie Lee Pike, Robbie Towns and Ricky Johnston imbue their characters (and their character’s characters) with likeability and real charm, thanks to, rather than in spite of, a book that constantly threatens to pitch over into over-indulgence. The singing is sublime, the four voices blend beautifully, the choreography is perfunctory rather than inspired, but it fits the structure perfectly. There is the occasional dip in directorial pace and panache, but this is the treat of the summer. Definitely one of our favourite things.
***** (5 stars)
Runs until 26th August
More info.
Sincerely, Mr Toad, Pleasance ✭✭✭
Sell-a-Door’s new musical Sincerely, Mr Toad has the potential to be a truly lovely chamber piece. The book, by David Hutchinson is outstanding, and his lyrics, with Katie McIvor are touching and often beautiful. David Wilson’s music has moments of real musical gold, albeit a little ballad-heavy. The set is used inventively, and the costumes are highly professional. The outstanding cast lend the material real glister, but the whole is less than the sum of the parts. In some way this is due to the strange decision to use over-amplified, Disney-esque backing tracks which swamp Wilson’s music and shift the style too much from a legit-chamber musical to a modern pop musical, but there are also some structural problems. However, this musical is bristling with potential and talent - Adam Venus as Kenneth Graeme is thrilling throughout, and Sarah Borges brings class and sensitivity to her role as his wife Elspeth.
*** ( 3 stars)
Runs until 26th August
More info









