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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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News: The Bush Theatre’s new writing policy seeks new proposals
Writer/ performers and companies urged to submit ideas for new work.
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London shows for just £10 in the New Year
Over 45 theatres sign up to the scheme that offers tickets at a fraction of the normal cost.
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Blog: Lucy Kirkwood’s glorious Chimerica
The critical consensus has been overwhelming. Nobody needs to read another emphatic 5* review. So, reeling from the performance, Emily offers a response.
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Blog: The Holistic Actor
Your mind, emotions and body are instruments and the way you align and tune them determines how well you play life.
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Review: The Scottsboro Boys, Young Vic Theatre ✭✭✭✭✭
Some people tell stories but others tell the truth, writes Emily Hardy.
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Review: From Here to Eternity, Shaftsbury Theatre ✭✭✭✭
Enjoyable, not gripping; original, not groundbreaking, writes Emily Hardy.
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Review: Blood Wedding, The Courtyard Theatre ✭✭✭
Technical clunkiness aside, Aria Entertainment produce a relatively solid show, writes Katie Brennan.
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Review: The Commitments, Palace Theatre ✭✭✭
With all the ingredients of a hit, The Commitments has the potential to pack real punch and yet feels uncomfortable in its own skin, writes Emily Hardy.
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Review: Barking in Essex, Wyndham’s Theatre ✭✭
The strong cast are the pull in this somewhat drip of a comedy, writes Matthew Bannerman.
Add a commentThere’s no denying Essex folk are the ‘in thing’, and a blinged up poster doused in pink frocks, gold chains, fur coats and a diamante logo certainly captures the imagination. It’s a pity the play doesn’t. That’s not to say this sugar-coated froth is not entertaining, at times it is, but Clive Exton’s new comedy is littered with so many cliches and dodgy loose-ends, it makes the entire cast of TOWIE look like a bunch of loveable Saints.
And there lies the problem. On the page, a bunch of self-obsessed unlovable rogues parading around bumping off strangers and loved ones in the blink of an eye has the potential to make for an insipid night at the theatre, but this is marginally rescued by the work of the wonderful cast who do their damnedest to inject as much oomph into this somewhat drip of a comedy.
Oddly, Sheila Hancock manages to create a layered character in Emmie Packer, a hard-nosed crime family mum, with quick wit and enough fizz to keep proceedings moving along, but there’s only so much even this gifted actress can do. Eldest son Darnley is played by funny man Lee Evans, who surprisingly holds back on his typical Norman Wisdom act, and although there are flickers of comedy genius here, rather predictably this poorly-written character eventually burns out. Keeley Hawes is perhaps the star of the show as Darnley’s wife Chrissie, a zany fame-obsessed Essex girl who is partial to the finer things in life, and a role played with a comic timing that hits the mark every time.
With all the will in the world, aside from the smart set design by Simon Higlett and the occasional laugh-out-loud punchy exchange, the daft plot and absurd ending ultimately lets this play down. And for such a talented cast and creative team, that’s criminal.
** ( 2 stars)
Runs until 4th January 2014
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