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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
The 28 Day Project is an exciting initiative offering emerging talent a step into the film business.
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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Blog: Lucy Kirkwood’s glorious Chimerica
The critical consensus has been overwhelming. Nobody needs to read another emphatic 5* review. So, reeling from the performance, Emily offers a response.
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Blog: The Holistic Actor
Your mind, emotions and body are instruments and the way you align and tune them determines how well you play life.
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Review: Don Gil of the Green Breeches, Arcola Theatre ✭✭✭✭
Ewan Stuart reviews Mehmet Ergen’s production that is filled with charm and atmosphere.
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Review: The Weir, Wyndham’s Theatre ✭✭✭✭✭
The Donmar is back in the West End. Ewan Stuart reviews a story of people, community, and home.
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Review: Ciphers, Bush Theatre ✭✭✭✭
Sophia Longhi reviews a spy thriller that will keep you on your toes.
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Review: The Duchess of Malfi, Sam Wanamaker Playhouse ✭✭✭✭
Alex Delaney heads to Shakespeare’s Globe and the newly opened Sam Wanamaker Playhouse.
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Review: Meet me in St. Louis, Landor Theatre ✭✭✭
Sophia Longhi heads to Clapham for a gorgeous festive treat.
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This Christmas, The Landor takes us back to 1904, to an age of innocence and love letters, with its latest achievement - Meet me in St Louis.
This gorgeous festive treat, warms the soul and tugs on the heartstrings of nostalgia. Set in the Missouri town on the brink of the Louisiana Purchase Exposition, the optimism and excitement of the time is reflected beautifully in the overall, joyous tone of the production. Rose is about to be proposed to, Esther is falling for the boy next door and Papa’s heading for a promotion… what could possibly go wrong?
With the trills and spills of the opening number, it’s hard not to get swept up in the adoration that the characters feel for their hometown. So, when the prospect of moving to New York arises for their father’s new position, we watch the characters attempt to nurse their individual heartaches.
Within a cast of mixed ability, Esther is played wonderfully by Georgia Permutt, making her professional debut. Permutt brings light and shade to the part as we empathise with her unrequited feelings in The Boy Next Door and enjoy her comedic take on seducing John Truitt by wafting her perfume in his direction, which he then reveals smells like his grandmother’s.
The choreography is fun and smart, particularly in The Trolley Song, but is sometimes a little too big for the rather cosy stage, as demonstrated in The Banjo. Still, the energy of the cast translates fantastically from the stage
Along with a few patchy moments were some beautiful ones. Have Yourself a Merry Little Christmas, sung by Esther at a windowsill to an inconsolable Tootie, (played by the adorable, precocious, talented Rebecca Barry) is particularly moving. The projection of falling snowflakes adds a touch of magic to the scene. At the height of Christmas cheer, the characters dance around the Christmas tree, which becomes a symbol of the home, unity and love.
Meet me in St Louis is a charming production full of fun and festive cheer. It perhaps won’t appeal to the grinches amongst us but will certainly strike a chord with your more cheery Christmas theatre-goer.







