As the set slowly disintegrated in the closing scene of Brian Friel's tale of language and conquest, the power behind his simple story delivered its telling message.

Rupert Bridgwater is swept away with the hedonism of Filter Theatre's Twelfth Night at Theatre Royal Bath’s Main House.

Hannah Berry reviews StreetDance 3D and discovers that this British film is the perfect showcase for our recent dance talent.

Homosexuality and the Church - a facinating subject and a taughtly-crafted drama, writes Josh Logan.

Jennifer Lopez movies might not be top of your list of ‘must-sees’, but Hannah Berry reckons you should give this one a try.

Josh Logan is mesmerised by the 1967 musical that has arrived in the West End with the full Broadway cast. “Hair screams relevance”.

Word on the street is this musical is going to blow your mind! Hair opens in the West End tonight at the Gielgud Theatre.

Rupert Bridgwater reviews Andrew Hilton production of The Tempest and discovers a lyrical and masculine version of Shakespeare’s last romance.

Hannah Berry has been a loyal fan of Dennis Kelly’s compelling works. But were those high expectations realised with his new play The Gods Weep?

Rupert Bridgwater is mesmerised by the mood and tone of this stripped down version of the romance.