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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
The 28 Day Project is an exciting initiative offering emerging talent a step into the film business.
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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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BLOG: Theatre: the best casino shows around the world
Casinos around the world offer some of the best theatrical entertainment you can find.
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BLOG: 5 Best Actors in Superhero Cinema
Is “superhero” acting any less challenging?
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Review: Bat Boy, Southwark Playhouse ✭✭✭
A campy fun musical with bite screams Douglas Mayo.
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Review: Visitors, Arcola Theatre ✭✭✭✭
Barney Norris first full-length play is an exquisitely written examination of love and loss, writes Alex Delaney.
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Review: 1984, Almeida Theatre ✭✭✭✭✭
This fresh vision of 1984 feels like a rediscovery of Orwell’s dystopia, writes Sophia Longhi.
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Review: Secret Theatre - Show 4, Lyric Hammersmith ✭✭✭✭
This review comes with a capitalised, emboldened and even italicised, SPOILER ALERT. That should do, writes Briony Rawle.
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Review: Flashdance - Shaftesbury Theatre **
Expecting an explosive dance show, Martin Schurman is unimpressed with a damp squib.
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Flashdance- The Musical at the Shaftesbury TheatreFashion, film and now theatre have all fallen under the spell of the 80’s revival as Flashdance, the latest film adaptation, breaks, body-pops and thrusts it’s way into The Shaftesbury Theatre. Emulating the 80’s soundtrack, Flashdance has been clever enough to throw a few chart hits into the mix, providing welcome musical respite from the pedestrian ballads that litter the score.
Long on gags and short on humour, this is formulaic fare, and harbours no pretensions towards high art
Of the film, it is the dance sequences that we remember, and here Flashdance is anything but pedestrian. Where this show excels is in Arlene Phillips’ inventive, energised choreography. The talented ensemble give it everything in dance numbers that seamlessly blend classical choreography with street moves. Victoria Hamiliton-Barrit is a real discovery in the lead role, but there is no chemistry between her gutsy Alex and Matt Willis’ insecure, twitchy performance as Nick.
The transparent plot never seems certain where the tension is, indeed never develops any, meandering through several clichés toward the inevitable finale. Long on gags and short on humour, this is formulaic fare, and harbours no pretensions towards high art; but why should it? It knows its place; mindless undemanding fun. But it is a shame that this talented cast were not given better material to work with. As a dance show, Flashdance could have been explosive, as a musical it’s a bit of a damp squib.
** (2 stars)
Booking until 26th February 2011
More infoPublished on November 2, 2010 · Filed under: Reviews; Tagged as: Arlene Philips, Flashdance, Matt Willis, Review, Shaftesbury Theatre, Victoria Hamilton-Barrit







