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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
The 28 Day Project is an exciting initiative offering emerging talent a step into the film business.
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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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BLOG: Theatre: the best casino shows around the world
Casinos around the world offer some of the best theatrical entertainment you can find.
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BLOG: 5 Best Actors in Superhero Cinema
Is “superhero” acting any less challenging?
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Review: Bat Boy, Southwark Playhouse ✭✭✭
A campy fun musical with bite screams Douglas Mayo.
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Review: Visitors, Arcola Theatre ✭✭✭✭
Barney Norris first full-length play is an exquisitely written examination of love and loss, writes Alex Delaney.
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Review: 1984, Almeida Theatre ✭✭✭✭✭
This fresh vision of 1984 feels like a rediscovery of Orwell’s dystopia, writes Sophia Longhi.
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Review: Secret Theatre - Show 4, Lyric Hammersmith ✭✭✭✭
This review comes with a capitalised, emboldened and even italicised, SPOILER ALERT. That should do, writes Briony Rawle.
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Review: A Christmas Carol - Theatre Delicatessen **
Bah! Humbug! Honour Bayes reviews Charles Dickens’ classic tale of redemption, but did the production get her in the festive spirit?
Sian Goff and Tom Ross-WilliamsEngland is in the throws of one of the snowiest Decembers in its tender 21st Century with roof tops and hedges covered in a pure white frost. And in the middle of this twee picturesque landscape that Americans so love, what better news than the opening of A Christmas Carol, now showing at Theatre Delicatessen.
But just as tired and cold commuters are a million miles away from the Yuletide spirit (thinking only of ‘adverse weather conditions’) so Jessica Jordan-Wrench’s muddled production removes any romance from one of literature’s most magical Christmas events.
TV screens flicker into supernatural life and piercing torch lights act as ghostly eyes ominously penetrating the room
Pete Wrench’s script lies limp, falling between a rock and a hard place as it tries to incorporate Victorian vocabulary within a modern rhythm. Perhaps most importantly any sense of dramatic tension is lost as this Scrooge finds his redemption far too easily and as the actors are unable to inspire any empathy for their caricatures, the whole endeavour feels almost completely unnecessary.
Luckily, unlike delayed travellers on our weather beleaguered transport system, it is not machinery that is to be blamed in a show which sparkles technologically. TV screens flicker into supernatural life and piercing torch lights act as ghostly eyes ominously penetrating the room; Scrooge’s terror may seem a little presentational, but you can see why he’d be slightly perturbed. Rob Hart’s sound design nicely layers an otherwise flat show, adding as much atmosphere to this story as it can.
** (2 stars)
Runs until 24th December 2010
More infoPublished on December 2, 2010 · Filed under: Reviews; Tagged as: A Christmas Carol, Theatre Delicatessen, Theatre Review








says:
Well I think this poor reviewer must have been at a different show to the one I saw on Tuesday evening which, despite a few rough edges on the preview night, was superb in both conception and execution. I hope her rather unpleasant and mealy-mouther review won’t deter audiences - but fortunately for us, there are rather more discerning reviewers around. http://www.thestage.co.uk/reviews/review.php/30481/a-christmas-carol
says:
Great show, spooky production space, brilliant atmosphere. One of the most enjoyable productions I’ve been to this year. Tim Walker