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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
The 28 Day Project is an exciting initiative offering emerging talent a step into the film business.
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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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BLOG: Theatre: the best casino shows around the world
Casinos around the world offer some of the best theatrical entertainment you can find.
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BLOG: 5 Best Actors in Superhero Cinema
Is “superhero” acting any less challenging?
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Review: Bat Boy, Southwark Playhouse ✭✭✭
A campy fun musical with bite screams Douglas Mayo.
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Review: Visitors, Arcola Theatre ✭✭✭✭
Barney Norris first full-length play is an exquisitely written examination of love and loss, writes Alex Delaney.
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Review: 1984, Almeida Theatre ✭✭✭✭✭
This fresh vision of 1984 feels like a rediscovery of Orwell’s dystopia, writes Sophia Longhi.
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Review: Secret Theatre - Show 4, Lyric Hammersmith ✭✭✭✭
This review comes with a capitalised, emboldened and even italicised, SPOILER ALERT. That should do, writes Briony Rawle.
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Review: Sold - Theatre 503 ****
Theatre 503 continues to punch above its weight, delivering another strong production in Sold, writes Hannah Berry.
Blue-tile carpet squares, covering bare wooden boards - lit by a couple of neon-strip under lights, on which sat four swivel office chairs and, above these, a slanted ceiling of polystyrene tiles - with another spattering of harsh neon strips. This was the set that greeted audiences and remained throughout the play - the only moving parts (asides from the cast) were the aforementioned chairs which were wheeled and turned with each scene - an affective technique which I have only ever seen in the previous run of Vernon God Little at The Young Vic, many years ago.
The deconstructed set and nature of the play could easily create a performance that could be hard to get your head around but thanks to the clear direction from accomplished director Natalie Ibu, Sold took about one minute to settle in to.
The writing was clear, and intelligently emotional, with no attempts to be overly clever. Suzie Miller lives up to her award-winning name and demonstrates with subtlety her insight into people’s lives which is a joy to see performed and especially when it is done well, which it was.
503 continues to punch above its weight and bring us shows which are nothing short of fantastic showcases of British talent
Strong performances from all cast members, none of which outshone the other - together they provided a strong collective and gave us a wide spectrum of personalities which struggle in this dog-eat-dog world. Nothing came across as contrived, which can easily happen when trying to live such emotional stakes, in an in-your-face theatre space, with so many scene changes and precise blocking to be adhered to. Each were a testament to their profession and every one is worthy of greater things to come. A special mention really should go to Kellie Shirley playing Mandy, who, after coming in only four days before curtain-up, pulled her weight and clearly worked day and night to provide an a-class show - the audience were none the wiser.
The 503 continues to punch above its weight and bring us shows which are nothing short of fantastic showcases of British talent, both on and off stage. Sold is another name to be added to its existing portfolio of successes. This is one time you will enjoy sitting in the office.
****(4 stars)
Runs until 14th May 2011
More infoPublished on April 24, 2011 · Filed under: Featured, Reviews; Tagged as: 4thwall magazine, Hannah Berry, Sold, Theatre503








says:
This play is about as entertaining as a root canal and quite frankly I’d prefer a root canal to this drivel. The writing overwrites beyond comprehension - subtlety is clearly not in her vocabulary. I was bored, I didn’t care and I fell asleep. This was my first visit to Theatre 503 and it will be my last. And as for your critic, this should be his last review ever if this is his idea of 4 star theatre.