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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
The 28 Day Project is an exciting initiative offering emerging talent a step into the film business.
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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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BLOG: Theatre: the best casino shows around the world
Casinos around the world offer some of the best theatrical entertainment you can find.
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BLOG: 5 Best Actors in Superhero Cinema
Is “superhero” acting any less challenging?
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Review: Bat Boy, Southwark Playhouse ✭✭✭
A campy fun musical with bite screams Douglas Mayo.
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Review: Visitors, Arcola Theatre ✭✭✭✭
Barney Norris first full-length play is an exquisitely written examination of love and loss, writes Alex Delaney.
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Review: 1984, Almeida Theatre ✭✭✭✭✭
This fresh vision of 1984 feels like a rediscovery of Orwell’s dystopia, writes Sophia Longhi.
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Review: Secret Theatre - Show 4, Lyric Hammersmith ✭✭✭✭
This review comes with a capitalised, emboldened and even italicised, SPOILER ALERT. That should do, writes Briony Rawle.
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Blog: Uncovering The Faction #3
As The Faction begin putting the work on its feet, Gareth has to deliver the goods - or not.
Add a commentGareth Fordred is a founding member of the faction theatre co. In the 2012 Rep Season he is playing Malvolio in Twelfth Night, Leicester in Mary Stuart and a reveller in Miss Julie.
Uncovering The Faction #3: Avoidance
‘it’s the fault of trapped wind’
So, time to stand up. On your feet. Go on. And…act. I said act. Walk and talk: mostly both.
Yes, no longer the time where you’ve had all of those wonderful ideas in your pretty little head, now it’s come to the toe-curling, knee-buckling first time of standing a scene on its feet. Cripes.
‘You mean I actually have to show you what I mean?’
At this point, or very soon afterwards come excuses and apologies of varying shapes and sizes. Perhaps the actor wishes to preface the actual act of acting with explaining to the director at great length precisely what they’re going to do. Because, that way, if they fail completely to do what they mean to do, then at least said director knows that their heart was in the right place. Or something.
Or afterwards, after a brief moment of silence where the director is probably just collecting his/her thoughts: the actor jumps in with a highly detailed defence of why what they just did wasn’t quite what they meant to do. Not exactly, well not at all really. Not even close.
It’s the fault of trapped wind/tiredness/my parents/the inability of the director to have explained what they wanted/God/the temperature/gravity. Anything.
And breathe…
It’s alright. Because, funnily enough: that wasn’t opening night. Or if it was, this is a very sick joke.
We can do it again. But differently. And again. And again. Until it’s better.
Hooray.
This is when we relax, stop caring, don’t worry so much, step down from Red Alert and start to enjoy the process itself: for itself.
Published on December 19, 2011 · Filed under: Blogs, Featured, Highlights; Tagged as: Gareth Fordred, Mark Leipacher, Mary Stuart, Miss Julie, New Diorama, The Faction, Twelfth Night







