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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
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News: TheatreCraft returns to help young people’s backstage careers
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BLOG: Theatre: the best casino shows around the world
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BLOG: 5 Best Actors in Superhero Cinema
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Blog: Films to study for inspiration
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Review: Bat Boy, Southwark Playhouse ✭✭✭
A campy fun musical with bite screams Douglas Mayo.
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Review: Visitors, Arcola Theatre ✭✭✭✭
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Review: 1984, Almeida Theatre ✭✭✭✭✭
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Review: Secret Theatre - Show 4, Lyric Hammersmith ✭✭✭✭
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Review: The Seagull, Southwark Playhouse ✭✭✭✭
In Anya Reiss’s modern adaptation of The Seagull at Southwark Playhouse, Hannah Berry finds Chekhov’s masterpiece is given new life.
Add a commentLily James & Joseph DrakeAnya Reiss’s The Seagull is bold, entertaining, but most of all – and this is where most translations fall down – it feels utterly and completely natural to an English audience. Perhaps it is Reiss’s age that has enabled her to approach the text with such vigour; whatever the reason, we should celebrate a playwright who does not feel the need to wear white cotton gloves when handling a great text. Reiss has proven it is still possible to keep the play alive whilst undergoing a complete transformation.
this classic play has now been realistically brought up to date by a young writer, advanced beyond her years
Set on the Isle of Man, with some fantastic sound and effects from sound designer George Dennis, the essence of Chekhov’s original characters remain; the bleakness of Joseph Drake’s Konstantin, his child-like size adding to his vulnerability; Lily James’s agonising and desperate Nina; Emily Dobb’s rejected Masha. But the emotionally-taught moments are broken up with some essential comic performances from Ben Moor’s Medvedenko, who likes nothing more than to go on about the cost of his mobile phone contract; Malcolm Tierney’s Sorin, with his sudden recounts and outstanding comedy timing; and Sasha Waddell’s Arkadina, who instantly commands the room and everybody’s attention with her outrageous points of view, especially on parenting.
Though audience members may not fair as well if sat in the side blocks of this three-sided theatre, there are many compelling reasons to see this modern Chekhov production. Not least because, despite being written over 120 years ago, The Seagull contains emotive conundrums which many of us, if not all, can still relate to, and this classic play has now been realistically brought up to date by a young writer, advanced beyond her years, who has the ability to make some of her contemporaries seem pallid by comparison.
**** (4stars)
Runs until 1st December
More infoPublished on November 14, 2012 · Filed under: Featured, Reviews; Tagged as: Anton Chekhov, Anya Reiss, Ben Moor, Emily Dobb, George Dennis, Joseph Drake, Lily James, Malcolm Tierney, Sasha Waddell, Southwark Playhouse, The Seagull







