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News: Pubs and theatre. An age-old pairing.
This exciting project will no doubt resonate with anyone that has ever stepped into a pub, so this February, grab your pint of Drunken Nights and witness something completely original and unique.
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News: The 28 Day Project launches wonderful opportunities
The 28 Day Project is an exciting initiative offering emerging talent a step into the film business.
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Have you got the Star Wars X Factor?
Thousands turned away at open auditions after standing in the rain for hours.
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News: TheatreCraft returns to help young people’s backstage careers
The 8th annual event returns to the Royal Opera House later this month.
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BLOG: Theatre: the best casino shows around the world
Casinos around the world offer some of the best theatrical entertainment you can find.
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BLOG: 5 Best Actors in Superhero Cinema
Is “superhero” acting any less challenging?
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Blog: Films to study for inspiration
Watching great actors can often inform your own work.
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Blog: Shakespeare experimenting with the limits of contemporary drama
Briony Rawle heads to Yorkshire and takes a closer look at Shakespeare’s The Winter’s Tale.
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Review: Bat Boy, Southwark Playhouse ✭✭✭
A campy fun musical with bite screams Douglas Mayo.
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Review: Visitors, Arcola Theatre ✭✭✭✭
Barney Norris first full-length play is an exquisitely written examination of love and loss, writes Alex Delaney.
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Review: 1984, Almeida Theatre ✭✭✭✭✭
This fresh vision of 1984 feels like a rediscovery of Orwell’s dystopia, writes Sophia Longhi.
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Review: Secret Theatre - Show 4, Lyric Hammersmith ✭✭✭✭
This review comes with a capitalised, emboldened and even italicised, SPOILER ALERT. That should do, writes Briony Rawle.
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Edinburgh Reviews: Tangram (Pleasance), Happy Never After (Pleasance)
The team continue their Fringe reviews with dance theatre and then a bittersweet comedy.
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Tangram, Aurora Nova, Pleasance ✭✭✭✭
Aurora Nova combine the exquisite talents of Cristiana Casadio and Stefan Sing in a tight piece which juxtaposes, contrasts and ultimately combines ballerina Casadio’s technique with Sing’s circus skills. The result is an athletic, rather than lyrical, dance theatre piece performed with skill and physical clarity. At times the performance is unnerving; the power play between the two performers is intriguing, and there are flashes of humour. The performers manipulate their bodies, each other, and their individual skills to tell a love story, with all the attendant emotions that come with it. The overriding experience here though is admiration for the skill of the performers, the quiet appreciation of the beauty of their work, and a sublime vision of the possibility of this type of physical fusion.
**** (4 stars)
Runs until 25th August
More info.
Happy Never After, James Quaife Productions, Pleasance ✭✭✭
James Quaife produces Hannah Rodgers well-paced bittersweet comedy which is ably enhanced by Luke Sheppard’s assured direction and affecting performances from Alice White and Nick Blakely. Gabriella Slade’s set is a simple delight, capably suggesting a variety of different spaces and moods. Rodgers’ script is well observed and captures both the comedy and pathos of the situation, although it fares rather better in pathos than in comedy. While both performances are strong, it is White who has the lion’s share of the best lines, and the better drawn character. She handles the emotional shifts with skill and aplomb. Blakely works well opposite her and pulls off the difficult task of making a cipher into a believable character.
*** (3 stars)
Runs until 26th August
More info







