Russell Labey is entralled with Michael Mayer’s production. This show is nothing short of a masterpiece.

Josie Vaughan is amused by a trip to Islington’s New Red Lion to see Kissing Sid James.

Hannah Berry heads down to Theatre 503 and discovers a group of flourishing artists proving their written and acting credentials.

Martin Schurman discovers a painfully timely hit in Judith Thompson’s extraordinary triptych.

The second play in the Donmar New Directors season at the Trafalgar Studios is a virtuoso performance which kept JBR enthralled for its duration.

Josh Seymour reviews new musical Bright Lights, Big City at Hoxton Hall and finds a West End calibre cast in a vibrant and absorbing production.

Expecting an explosive dance show, Martin Schurman is unimpressed with a damp squib.

Has time surpassed the traditional whodunit? Benjamin Potter reviews Deathtrap and finds out whether it pushes the boundaries in today’s theatre.

Matthew Bannerman heads down to Trafalgar Studios 2 for Wolfboy, the psycho-sexual musical thriller.

Rupert Bridgwater is swept away with the hedonism of Filter Theatre's Twelfth Night at Theatre Royal Bath’s Main House.