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Fourthwall’s Favourites May
Fourthwall’s round-up of what to see in May
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Fourthwall’s Favourites: April
Fourthwall’s round-up of what to see in April
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Fourthwall’s Favourites: March
Fourthwall’s round up of what to see this coming March.
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London’s only Gay Theatre company loses home.
Well respected gay-themed venue, Above The Stag, loses permanent London home.
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Blog: Uncovering The Faction #12
A tear, a wave of a white handkerchief – The Faction’s train pulls out of the station. We stand and salute their magnificent achievement.
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Blog: Uncovering The Faction #11
Gareth finally spills the beans on the place to go after the show, and shares a bit of gossip about the cast.
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Blog: Uncovering The Faction #10
Up and running, there’s time for Gareth to find amusement in the smallest details.
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Blog: Uncovering The Faction #9
All three Faction shows are now up and running and Gareth has a second to take a moment’s pause to contemplate this achievement and to ruminate on Miss Julie.
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Review: Brimstone and Treacle, Arcola Theatre ****
Edward Theakston finds a troubling and poignant play at the Arcola, with a climax that will haunt you long after you leave the theatre.
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Review: Three Kingdoms, Lyric, Hammersmith ****
Catherine Love finds herself almost lost for words at Simon Stephens compelling Three Kingdoms at the Lyric, Hammersmith
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Review: Step 9 (Of 12), Trafalgar Studios, *****
Edward Theakston reviews Step 9 (Of 12) at the Trafalgar Studios, and urges you to see this important work.
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Review: Fever Pitch, Touring ****
JBR is swept along by a Fever Pitch-perfect performance, adapted from Nick Hornby’s best selling novel.
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Review: Flashdance – Shaftesbury Theatre **
Expecting an explosive dance show, Martin Schurman is unimpressed with a damp squib.
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Flashdance- The Musical at the Shaftesbury TheatreFashion, film and now theatre have all fallen under the spell of the 80’s revival as Flashdance, the latest film adaptation, breaks, body-pops and thrusts it’s way into The Shaftesbury Theatre. Emulating the 80’s soundtrack, Flashdance has been clever enough to throw a few chart hits into the mix, providing welcome musical respite from the pedestrian ballads that litter the score.
Long on gags and short on humour, this is formulaic fare, and harbours no pretensions towards high art
Of the film, it is the dance sequences that we remember, and here Flashdance is anything but pedestrian. Where this show excels is in Arlene Phillips’ inventive, energised choreography. The talented ensemble give it everything in dance numbers that seamlessly blend classical choreography with street moves. Victoria Hamiliton-Barrit is a real discovery in the lead role, but there is no chemistry between her gutsy Alex and Matt Willis’ insecure, twitchy performance as Nick.
The transparent plot never seems certain where the tension is, indeed never develops any, meandering through several clichés toward the inevitable finale. Long on gags and short on humour, this is formulaic fare, and harbours no pretensions towards high art; but why should it? It knows its place; mindless undemanding fun. But it is a shame that this talented cast were not given better material to work with. As a dance show, Flashdance could have been explosive, as a musical it’s a bit of a damp squib.
** (2 stars)
Booking until 26th February 2011
More infoPublished on November 2, 2010 · Filed under: Reviews; Tagged as: Arlene Philips, Flashdance, Matt Willis, Review, Shaftesbury Theatre, Victoria Hamilton-Barrit










