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Fourthwall’s Favourites May
Fourthwall’s round-up of what to see in May
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Fourthwall’s Favourites: April
Fourthwall’s round-up of what to see in April
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Fourthwall’s Favourites: March
Fourthwall’s round up of what to see this coming March.
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London’s only Gay Theatre company loses home.
Well respected gay-themed venue, Above The Stag, loses permanent London home.
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Blog: Uncovering The Faction #12
A tear, a wave of a white handkerchief – The Faction’s train pulls out of the station. We stand and salute their magnificent achievement.
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Blog: Uncovering The Faction #11
Gareth finally spills the beans on the place to go after the show, and shares a bit of gossip about the cast.
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Blog: Uncovering The Faction #10
Up and running, there’s time for Gareth to find amusement in the smallest details.
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Blog: Uncovering The Faction #9
All three Faction shows are now up and running and Gareth has a second to take a moment’s pause to contemplate this achievement and to ruminate on Miss Julie.
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Review: Brimstone and Treacle, Arcola Theatre ****
Edward Theakston finds a troubling and poignant play at the Arcola, with a climax that will haunt you long after you leave the theatre.
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Review: Three Kingdoms, Lyric, Hammersmith ****
Catherine Love finds herself almost lost for words at Simon Stephens compelling Three Kingdoms at the Lyric, Hammersmith
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Review: Step 9 (Of 12), Trafalgar Studios, *****
Edward Theakston reviews Step 9 (Of 12) at the Trafalgar Studios, and urges you to see this important work.
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Review: Fever Pitch, Touring ****
JBR is swept along by a Fever Pitch-perfect performance, adapted from Nick Hornby’s best selling novel.
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Review: As You Like It – RSC @ Roundhouse ***
In a cerebral and sophisticated As You Like It at the Roundhouse, Honour Bayes finds a curious lack of joy.
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Katy Stephens as Rosalind Photo Ellie KurttzThere’s something very adult about Michael Boyd’s smooth production of As You Like It, currently wooing audiences at The Roundhouse. Boyd takes Shakespeare’s pastoral comedy and turns it into a corseted lover; inside this sophisticated production there’s an exuberant play wriggling to get out.
It all looks and sounds gorgeous of course with Tom Piper’s design and Struan Leslie’s delicate choreography gracefully encasing this genteel beast. It’s a floating concept and you feel in a bubble as our characters traipse Piper’s minimalistic set, their clothes shifting from period to modern dress. This is perhaps to reflect the magic environment of the forest of Arden but it’s all terribly cerebral.
This is a consummate company with each performer playing their role prettily, but in this firmament of well-crafted souls only a few truly shine.
The performances are all also set squarely above the shoulders. This is a consummate company with each performer playing their role prettily, but in this firmament of well-crafted souls only a few truly shine. In a show that prizes earnestness over frivolity it is perhaps fitting that Jaques should be one such star. Forbes Masson has a stunning alto voice and a beautifully neat ankle. Masson languishes around the stage wittily and pointedly highlighting each ridiculous moment with Byronic flair but his purple eyes reveal an oddly moving anguish.
Katy Stephens’ Rosalind is vivacious and bold if a little hyper, her constantly glistening eyes betraying an anxious nerviness at odds with this light hearted romantic comedy. She and Mariah Gale play like tiger cubs and their love for each other is palpable. If Rosalind and Celia are usually sun and moon, here the pale moon shines just as brightly as it’s brash cousin with Gale turning in a complex, moving performance as the loyal sidekick.
That Boyd has given us an intelligent As You Like It cannot be denied. But it never transfers from the head to the heart and though there are laughs to be had here, there is strangely very little joy.
*** (3 stars)
Runs until 5th February
More infoPublished on January 19, 2011 · Filed under: Featured, Reviews; Tagged as: As You Like It, Forbes Masson, Katy Stephens, Mariah Gale, Michael Boyd, Roundhouse, RSC, Struan Leslie, Tom Piper










