Sarah Clark investigates a new campaign which wants to see disabled actors be cast in disabled roles every time.

With a year's contract in Les Miserables, Daniella Gibb reveals the reality of living the dream.

The NSDF, the week-long celebration of theatre, live performance, discussion and special events, returns in March for another exciting event.

As well as looking after their students, and offering them the highest quality training, drama schools often have much to offer the wider community.

After twenty-three years at Mountview Academy of Theatre Arts, Paul Sabey has left in search of new and exciting challenges, writes Yvonne I'Anson.

Simon Greiff is a jobbing actor with major West End and film credits. He holds a unique position in the London Casting scene, writes Knight Hooson.

I left drama school feeling quite smug. My graduating year had been somewhat of a personal triumph, writes Karla Crome.

As my second full-length play Public Property opens in the West End, I am as excited as the child that got the puppy for Christmas, writes Sam Peter Jackson.

…Thank you. “Is that good?” You ask yourself. Does that mean “I was perfect, the job is mine” or perhaps “You suck, get out of my audition room”? Writes Daniella Gibb.

Setting up a theatre company can be very exciting, as Manchester-based Monkeywood Theatre Company know only too well. Anything is possible with ambition, determination and 28 hours in the day to juggle other careers to help pay the bills.